Wednesday, July 15, 2009

Reflection for July 15, 2009


God in the Slaney (Slaney River, Ireland)


Some Sundays I go looking for God

on the new quays in old Wexford.

I always have Marguerite in mind.

Look at the Seine, she said;

it rises and takes its travels

through field, town, forest,

and finally reaches Paris

on its way to the sea.

All the time it is called the Seine.

That is its name.

Then the miracle happens:

the Seine reaches the sea

and the Seine loses its own name.

It becomes nameless, as it mingles

water with water in the vast moving sea.

And no one can tell

where the river ends and the sea begins.

And so it is with me, she mused.

I have my own name,

my journey through life,

my travels,

and then, in my seeking,

like the river,

I enter the vast moving sea of God

and no one can tell

where I end and God begins.

There I am, God and I, my nameless self lost

in the vast sea of God’s presence.

And who can tell, then,

where God ends and I begin?

And so on some Sundays,

I look at the Slaney, following its own course

from Lugnaquilla to the sea,

Through Wicklow hills and Carlow towns

and Wexford farms,

past Enniscorthy Castle and Cathedrals

and so on to Wexford,

where its waters mingle with the sea

and then it is Slaney no more.

And there, standing on the quay,

I try to see myself, as Marguerite did,

lost and unnamed and mingled in God,

freely swimming in a sea of divinity,

not knowing nor needing to know

where humanity ends and God begins

where I end and God begins.

Sometimes, then, I turn town-ward

with my back to the Slaney-sea

and gaze the length of the quays,

from Crescent Pool, past mussel boats,

to the graceful low-slung bridge.

and there, right in the middle of the quays

try to imagine a woman being burned to death

on the Wexford quays,

just as Marguerite was

right in the middle of the Place de Greve

in her beloved Paris,

on the first day of June in the year thirteen-ten.

How to imagine such a horror.

How to imagine the fear that one lone woman

could evoke in the fierce, fiery, fear-filled church.

Was it because she spoke of swimming in divinity?

Was it because her chosen name for God was Lady Love?

Was it because, as a woman,

she dared to teach about her Woman-God of Love?

How could they have been so terrified

of this one woman, Marguerite,

whose calm acceptance of her horrific death

silenced the on-lookers into awed reverence?

That day, the Seine provided no answers,

and today, turning again toward the sea-bound Slaney,

I seek, not answers, but some small share of her God-lost self,

some sense of her all-embracing briny divinity,

some feeling that here,

in Wexford between Slaney and sea

I will learn to keep looking

and not miss the great moment of mingling.

(Marguerite Porete)

Poem Prayer Interpretation by Mary T. Malone



"Andante" from The Trout Quintet by Schubert, Marlboro Festival,
Rudolf Serkin, Artistic Director

"Song of the Seashore" James Galway, Flute, with the Tokyo String Quartet